VIDEO REVIEW: Cloudy with a Chance of Meatballs

Here's an interesting experiment; go with your spouse and child to an elementary school gym, along with four dozen other elementary school kids and their parents to see a 2-D version of a 3-D movie based on a 30-page book. That's what we did a couple Friday nights ago as we viewed Cloudy with a Chance of Meatballs.

I had no preconceived notions about this film. I hadn't read the book, first published in 1978, written by Judi Barrett and illustrated by Ron Barrett. In fact I never even heard of it until the film was being promoted.

This iteration tells the story of Flint Lockwood, science nerd, whose mother (Lauren Graham) believes he'll be someone special; she dies early on, and his monosyllabic, unibrow fisherman-father (James Caan) believes in more practical efforts, wanting his son (Bill Hader) to work at the sardine store with him. Everyone on the island of Swallow Falls eats sardines.

Flint is tortured by an annoying character, Baby Brent (Andy Samburg), who was famous as the Gerber baby, and keeps milking his fame. (Independently, my wife and I thought he was very much like the character in the Back to the Future movies who kept harassing Marty McFly's father.)

Flint, undeterred from his dream, manages to invent a machine that converts water into food. Needing to hide his creativity from the local policeman (Mr. T), he accidentally launches it into the atmosphere. Instead of rain, food of every sort starts falling from the sky. This phenomenon inspires a television station to send a weather reporter trainee (Anna Faris) to cover the phenomenon.

I laughed out loud several times in the first half of the movie at lines that probably went right over the heads of the purported target audience. At least once, I swear I was the ONLY person laughing.

At some point, the movie becomes some illustrated cross between the movies Twister (which I saw) and 2012 (which I did not). This part was less interesting to me, though not without its charms, and frightened the daughter some to boot.

Still, I enjoyed the intelligently-made film overall, and it reviewed well enough. Within the film of writer-directors Phil Lord and Christopher Miller were none-too-subtle digs at the food industry (processed foods with no connection to the source, a la Fast Food Nation), gluttony (see also: the latter part of WALL-E), environmental destruction, and sexism in the entertainment industry.

I finally got around to reading the book this week, and while there were nods to the source material (food as rafts, yellow Jell-O, and of course a spaghetti storm), the movie is a whole 'nother animal altogether. Friends of friends of mine who are devotees of the book often HATE the movie because it's not the book; I think the movie should be appreciated on the merits of what's on the screen, NOT based on how it is or is not true to the source material.
***
The movie trailer.

ROG

Movie music QUESTION

It's no secret that my favorite movie music is from West Side Story. I'm also quite fond of Fiddler on the Roof. But it occurred to me: these are Broadway musicals adapted for the screen. What do I like the best that's MOVIE music?

Difficult question. But, excluding the Beatles - I've recently seen again A Hard Day's Night and Help! - here are some examples:

This is the famous Germans bomb Pearl Harbor speech by John Belushi from Animal House. But try to listen to it without the dramatic music of Elmer Bernstein, and I think it falls flat. In fact, throughout the film, Bernstein, who's probably best known for the score for The Magnificent Seven (a/k/a the Marlboro theme), has all sorts of flourishes in this movie, giving the dopiest action a counterpoint.

Quality of Mercy by Michelle Shocked from Dead Man Walking. I THINK this was written for the film (though this performance is not), as opposed to what the compilers of the music of, say, Easy Rider, called "found music", existing songs put on a soundtrack.

Forrest Gump, BTW, is the worst example of that trend; it's not that the songs are bad, only that they're obvious. California Dreamin' by the Mamas & the Papas, Mrs. Robinson by Simon & Garfunkel, For What It's worth by Buffalo Springfield, and Get Together by the Youngbloods? I mean, I already own all of those songs; not everyone does, but some Time-Life collection might have been a better venue.

Ridin' the Rails by k.d. lang and Take 6 from Dick Tracy, a movie I never saw. I'm a sucker for trains, and songs about trains.

The Funeral from Cry Freedom. This is a bit of a cheat. The bulk of the song is the anthem Nkosi Sikeleli Africa (God Bless Africa). But it is the most stirring version I know, taking place after South African activist Stephen Biko's death. (It starts at 2:25 on the video.)

But the movie music I have the greatest, perhaps irrational attachment for, is from the film The Night They Raided Minsky's, which I saw with my friend Carol and her friend Judy when I was 15 in 1968. I had a mad crush, unstated, for Judy. The film was rated M, a precursor for PG. Because I have the soundtrack, I can admit that though I haven't seen the film in 40 years, I know this song, and others in the movie, by heart:
TAKE TEN TERRIFIC GIRLS (But Only Nine Costumes)
I have a secret recipe
Concocted with much skill
And once you've tried my special dish
You'll never get your fill

Take ten terrific girls
But only nine costumes
And you're cooking up something grand

Mix in some amber lights
And elegant scenery
Then stir in a fine jazz band

Then add some funny men
And pepper with laughter
It's tart and tasty I know

Then serve it piping hot
And what have you got?
A burlesque show!
Music: Charles Strouse Lyrics: Lee Adams


What movie music moves YOU?



ROG

MOVIE REVIEW: Invictus

When the South African rugby team, the Springboks, played in Albany, NY in September 1981, 1200 people braved the torrential weather to protest the apartheid regime that the green-and-gold represented; almost certainly the bad weather tamped down the number of protesters, as there were nearly as many law enforcement folks as picketers. The singer Pete Seeger was there and so was I.

If some Americans were opposed to the Springboks, the black South Africans loathed them, routinely rooting for the foreign opposition when the Springboks played. So when apartheid ended, and Nelson Mandela was released from prison 20 years ago this month, and subsequently became President of South Africa, there was reason to believe that the minority whites would be purged from their government positions and that the Springboks would be disbanded. But former prisoner 46664, who spent over a quarter century in a small prison cell, had a different strategy, one honed by observing his captors. Vengeance was anticipated; instead, he disarmed his former foes with compassion.

Invictus, directed by Clint Eastwood, for the longest time feels like a "conventional movie", maybe a little too deliberately paced, complete with the "big game". It's not until near the end that you internalize the awe-inspiring wisdom that was Mandela. I must argue with those who suggest that the final match was anti-climatic; it's not the game itself that matters, it's the people's reaction to the game that counts. Oh, and while I learned far more about rugby than I thought possible, I'm still slightly mystified what constitutes an infraction worthy of a penalty kick.

The South African leader was played by Eastwood's old friend, Morgan Freeman; he's already played God, so this is a slight step down. Still I understand why he got his Best Actor nod. Matt Damon, as captain of the Springboks, was good, but I'm surprised by his Best Supporting actor nod. Actually, I was more taken by other characters in the piece.

Nowhere is religion specifically mentioned, to my recollection. Yet there is a powerful message of faith that one can draw from this movie, partially summarized in the 1875 poem for which the movie is named.

I saw this movie Saturday afternoon at the Spectrum in Albany in large part because it's the last week it's playing; I'm glad I did.

ROG

Disney Meme

I saw this on the sites of SamuraiFrog and Jaquandor, so you know it must be good. It's about Disney movies.

Which Disney Princess film is your favorite?

Like Jaquandor, first I had to establish just what the "canonical" Disney Princess films are. For the purposes of this quiz, I'll use the list here. Understand that I saw those early Princess films a long time ago , a couple of the recent ones (Pocohontas, Mulan), I never saw at all. I'm forced to lean toward Tiana from The Princess and the Frog. Although I read, "Giselle from Disney's film Enchanted was originally going to be added to the line until the company realized it would have to pay the actress, Amy Adams, royalties for using her likeness." So I'll pick Giselle.

Which non-Disney Princess Disney Film is your favorite?

I assume we're not talking Pixar, where it's be a fight between The Incredibles and Toy Story 2. Much easier, then. 101 Dalmatians; has a character named Roger, and when you're eight, that matters.

Which Disney film makes you cry the most?

Can't think of a one. Fear, yes: Bambi, Pinocchio, probably, to some degree, most of them. Maybe I DO need to pick a Pixar film, Toy Story 2. Specifically, When Somebody Loved Me.

Which Disney film makes you the happiest?

I'll go with Enchanted. the mix of live action and animation was quite entertaining.

Which Disney film has the best music?

Well, Fantasia, but that's a bit of a cheat. I'll go with Beauty and the Beast, though I'm fond of Princess & the Frog. For the classic films, maybe Bambi.

Which Disney film has the best love story?

I could go with Princess & the Frog. But even though I never saw it, I have read to the daughter the comic adaptation of Pocahontas, and I could like that.

Who is your favorite Disney Princess?

Also read the adaptation of Mulan, and it might be her. Or Tiana.

Who is your favorite Disney Prince?

The Beast, I reckon.

Who is your favorite Disney animal sidekick?

Jiminy Cricket, although I think his role in Pinocchio and his role teaching me how to spell encyclopedia on the Mickey Mouse Club might be blurring together.

Who is your favorite Disney main character animal?

Tramp, of Lady & the.

Who is your favorite villain?

Cruella de Ville from 101 Dalmatians. It's the black & white hair, I think.

What is your favorite Disney song?

When You Wish Upon a Star.

What is your favorite Disney villian song?

"Cruella de Ville", sung by Roger. Though if I heard the songs in Princess & the Frog again, maybe one of those. Yet I think "Gaston" is hysterical - "I'm especially good at expectorating."

What is your favorite Disney animal song?

"Circle of Life" from The Lion King.

What is your favorite Disney Princess song?

"Belle", though that first song on Princess & the Frog...

What is your favorite Disney Prince song?

No clue.

What is your favorite Disney Prince/Princess duet song?

"A Whole New World" from Aladdin.

What is your favorite Disney love song?

"How Do You Know?" from Enchanted.

Tough meme!

ROG

Things I Love on the Internet

* A new blog on the Oscars and Instant Runoff Voting -- http://oscarvotes123.blogspot.com/. Here's a post about the new voting system for Best Picture, written by the Chair of FairVote Board of Directors, Krist Novoselic.
* The last new Johnny Cash album, American VI: Ain't No Grave is being released on February 23, during what would have been his birthday week. Am buying, sound unheard, if I don't get for my birthday.
* Brian from Coverville turned me on to Deanne Iovan's mission, inspired by Julie & Julia, as well as the 09/09/09 Beatles' releases, of covering The Beatles’ White Album, track by track, putting out a new song every nine days. She just put out Julia, which is at the end of side two. (Side 2? Hey, I grew up with the vinyl version of this album.)
* 500 cartoons on life in biology research.
* The Business Librarians listserv helped me answer a question this week. Apparently the doohickey on the tops to plastic containers, where the grated cheese comes out, one side being a shaker while the other side you can use a teaspoon to dish it out, is called a spice lid or a dispensing closure.
* Valentine’s Day/Census tie-in campaign with a selection of electronic postcards in Spanish and English.
* New CPR on YouTube: Continuous Chest Compression CPR - Mayo Clinic Presentation, sent to me by a nurse friend of mine, who thinks it's terrific.
* A recent study outlines the health benefits of having more sex. CNN's Elizabeth Cohen has the details.
* My medical reimbursement company, only this week, has FINALLY decided to accept e-mailed PDFs, GIFs, etc. as well as mailing and faxes. This is particularly helpful since our fax at work does not seem to work. (When someone announced "Fax is dead!"", they weren't kidding.)
* Found several places: The Muppets: Beaker's Ballad - the Internet is SO mean.
* Thom Wade points to Hey! It's That Guy!? It's a page "dedicated to the character actors collectively known as 'That Guy'." Simon Oakland was one of the first ones I knerw by name as a kid.
* Betty White for host of SNL. My only problem is the notion that it's a resurgence; she never really left.
* Arthur@AmeriNZ found a video response to the Google Super Bowl ad done from a gay man’s POV.
* An old friend accidentally pushed some button that sent an email to EVERY address in her e-address book, which allowed us to reconnect. I've had a child and she's had two since we last communicated.
*Local school catches Olympic fever. "Events have included ring toss, rock climbing, hockey, boggle, hang man, reading comprehension, and math facts." I'll pick math facts.
* The 9th Annual Underground Railroad History Conference, Friday, February 26 at 8:30am through Sunday, February 28 at 2:00pm at Russell Sage College, Troy, NY, where I'll be one of many presenting on that Saturday. Register now!
ROG

MOVIE REVIEW: A Single Man

I saw the A Single Man a couple weeks ago, in one of those "split date" things my wife and I go on, where we see the same movie in the same weekend, then compare notes. It's the story of George (Colin Firth), a British gay man and a professor in 1962 Los Angeles, who lost his life partner (Matthew Goode) and is just trying to get through the day. His public grieving is limited and his lover's family don't even allow him to the funeral. He's friendly to the housewife neighbor (Ginnifer Goodwin of Big Love), but her husband is less than friendly. His only real friend is fellow British expat Charley (Julianne Moore), who has issues of her own. One of his colleagues (Lee Pace from Pushing Daisies) represents the Cold war backdrop of this movie.

I certainly understand why Firth was nominated for an Academy Award for his role. His character is quite in need of structure in his life. Even when George lets go a little, it's honed with a certain British reserve. There's a surprisingly darkly funny sequence near the end of the film.

Tom Ford is a rookie director, a fashion designer and former Gucci executive who also wrote the screenplay based on the Chris Isherwood novel. While he tells a succinct tale, occasionally he would engage in cinematic trickery that was at times more irritating than enlightening. Julianne Moore is fine in her role, but Ford made her look every one of her 47 years, and then some.

I read someone describe the film as somnambulant, and I do understand his point. This is not a Michael Bay movie. Not much happens in A Single Man, yet quite a bit does.

Recommended, unless you're only a fan of action flicks, in which case this will undoubtedly bore you silly.
***
A few years ago, probably after seeing her in the 2002 movies Far from Heaven and the Hours, I had a dream about Julianne Moore. I almost never dream about real people I don't know. Anyway, I saved her from some some peril - getting hit by a car, I believe. She was grateful, and we became pen pals, with her sending me autographed photos and tickets to her movies. [Alas, I woke up.)
ROG

100 Quotes Every Geek Should Know

I've been thinking about doing this since I first saw it at Byzantium's Shores a few weeks ago. It's a list of 100 Quotes Every Geek Should Know. I will reproduce the list as follows: ++ for quotes I not only recognize but can cite by the character who says it (if it's a line of dialogue), and + for quotes I recognize by source but can't recall who said it. All others will be left as is. You can play along, then check the source attributions.

1. “Strange women lying in ponds distributing swords is no basis for a system of government. Supreme executive power derives from a mandate from the masses, not from some farcical aquatic ceremony.”

+ 2. “Three rings for the Elven kings under the sky, seven for the Dwarf lords in their halls of stone, nine for the mortal men doomed to die, one for the Dark Lord on his dark throne, in the land of Mordor where the shadows lie. One ring to rule them all, one ring to find them, one ring the bring them all, and in the darkness bind them. In the land of Mordor where the shadows lie.”

++ 3. “I’m sorry, Dave. I’m afraid I can’t do that.”

++ 4. “Spock. This child is about to wipe out every living thing on Earth. Now, what do you suggest we do…...spank it?”

++ 5. “With great power there must also come — great responsibility.”

6. “If you can’t take a little bloody nose, maybe you oughtta go back home and crawl under your bed. It’s not safe out here. It’s wondrous, with treasures to satiate desires both subtle and gross; but it’s not for the timid.”

7. “Five card stud, nothing wild. And the sky’s the limit”

8. “If you think that by threatening me you can get me to do what you want… Well, that’s where you’re right. But - and I am only saying that because I care - there’s a lot of decaffeinated brands on the market that are just as tasty as the real thing.”

9. “We’re all very different people. We’re not Watusi. We’re not Spartans. We’re Americans, with a capital ‘A’, huh? You know what that means? Do ya? That means that our forefathers were kicked out of every decent country in the world. We are the wretched refuse. We’re the underdog.”

10. “If I’m not back in five minutes, just wait longer.”

11. “I’m going to give you a little advice. There’s a force in the universe that makes things happen. And all you have to do is get in touch with it, stop thinking, let things happen, and be the ball.”

12. WE APOLOGIZE FOR THE INCONVENIENCE

13. “Some days, you just can’t get rid of a bomb!”

14. “Bill, strange things are afoot at the Circle K.”

+ 15. “Invention, my dear friends, is 93% perspiration, 6% electricity, 4% evaporation, and 2% butterscotch ripple.”

16. “Didja ever look at a dollar bill, man? There’s some spooky s*** goin’ on there. And it’s green too.”

17. “Alright, alright alright.”

18. “Heya, Tom’, it’s Bob from the office down the hall. Good to see you, buddy; how’ve you been? Things have been alright for me except that I’m a zombie now. I really wish you’d let us in.”

19. “Never argue with the data.”

20. “Oooh right, it’s actually quite a funny story once you get past all the tragic elements and the over-riding sense of doom.”

21. “Fantastic!”

22. “I must not fear. / Fear is the mind-killer. / Fear is the little-death that brings total obliteration. / I will face my fear. / I will permit it to pass over me and through me. / And when it has gone past I will turn the inner eye to see
its path. / Where the fear has gone there will be nothing. / Only I will remain.”

23. “This is the way society functions. Aren’t you a part of society?”

24. “Okay. You people sit tight, hold the fort and keep the home fires burning. And if we’re not back by dawn… call the president.”

25. “No matter where you go, there you are. ”

++ 26. “Do you know of the Klingon proverb that tells us revenge is a dish that is best served cold? It is very cold in space.”

+ 27. “Ray, if someone asks you if you’re a god, you say YES!”

28. “Greetings, programs!”

29. “I guess you picked the wrong g**-damned rec room to break into, didn’t you?!”

++ 30. “I find your lack of faith disturbing.”

++ 31. “Hokey religions and ancient weapons are no substitute for a good blaster at your side, kid.”

++ 32. “Try not. Do, or do not. There is no try.”

33. “It’s a moral imperative.”

++ 34. “Talk with your mouth full / bite the hand that feeds you / bite off more than you can chew / dare to be stupid”

+ 35. “Well, let’s say this Twinkie represents the normal amount of psychokinetic energy in the New York area. Based on this morning’s reading, it would be a Twinkie thirty-five feet long, weighing approximately six hundred pounds.”

36. “This episode was BADLY written!”

37. “Worst. Episode. Ever.”

+ 38. “Goonies never say die.”

+ 39. “Nothing shocks me–I’m a scientist.”

40. “Bright light! Bright light!”

41. “The Road goes ever on and on/Down from the door where it began/Now far ahead the Road has gone/And I must follow, if I can/Pursuing it with eager feet/Until it joins some larger way/Where many paths and errands meet/And whither then? I cannot say.”

++ 42. “Human sacrifice, dogs and cats living together… mass hysteria!”

43. “If we knew what it was we were doing, it would not be called research, would it?”

++ 44. “Wait a minute, Doc. Ah… Are you telling me you built a time machine… out of a DeLorean?”

++ 45. “Don’t call me a mindless philosopher, you overweight blob of grease!”

++ 46. “I’d just as soon kiss a wookiee!”

47. “But one thing’s sure: Inspector Clay is dead, murdered, and somebody’s responsible.”

48. “I know kung fu.”

49. “This is your receipt for your husband… and this is my receipt for your receipt.”

50. “Your soul-suckin’ days are over, amigo!”

51. “I don’t believe there’s a power in the ‘verse that can stop Kaylee from being cheerful. Sometimes you just wanna duct-tape her mouth and dump her in the hold for a month.”

52. “Would you say I have a plethora of piñatas?”

+ 53. “Never go in against a Sicilian when death is on the line!”

54. “There is no Earthly way of knowing… which direction we are going. There is no knowing where we’re rowing, or which way the river’s flowing. Is it raining? Is it snowing? Is a hurricane a’blowing? Not a speck of light is showing so the danger much be growing. Are the fires of hell a’glowing? Is the grisley reaper mowing? YES! The danger must be growing for the rowers keep on rowing AND THEY’RE CERTAINLY NOT SHOWING ANY SIGNS THAT THEY ARE SLOWING!!”

55. “Time…to die.”

56. “Now I am become Death, the destroyer of worlds”

57. “Check, please.”

58. “So say we all.”

++ 59. “After very careful consideration, sir, I’ve come to the conclusion that your new defense system sucks.”

60. “I am a leaf on the wind, watch how I soar.”

++ 61. “No matter what you hear in there, no matter how cruelly I beg you, no matter how terribly I may scream, do not open this door or you will undo everything I have worked for.”

62. “Ahh, a bear in his natural habitat: a Studebaker.”

++ 63. “He’s dead, Jim.”

++ 64. “Who’s gonna turn down a Junior Mint? It’s chocolate, it’s peppermint - it’s delicious!”

++ 65. “Bring out your dead.”

++ 66. “My name is Inigo Montoyo. You killed my father. Prepare to die!”

67. “Why a duck? Why-a no chicken?”

++ 68. “Redrum.”

++ 69. “Who knows what evil lurks in the hearts of men? The Shadow knows."

++ 70. “We’re going to need a bigger boat.”

71. “Oooh, ahhh, that’s how it always starts. Then later there’s running and screaming.”

72. “Greetings, my friend. We are all interested in the future, for that is where you and I are going to spend the rest of our lives. And remember my friend, future events such as these will affect you in the future.”

++ 73. “Gentlemen, you can’t fight in here! This is the War Room!”

+ 74. “These aren’t the droids you’re looking for.”

++ 75. “Take your stinking paws off me, you damn dirty ape!”

++ 76. “You maniacs! You blew it up! Oh, damn you! Damn you all to hell!”

++ 77. “Klaatu barada nikto.”

78. “Monsters from the Id.”

++ 79. “ET phone home.”

80. “What… is the air-speed velocity of an unladen swallow?”

81. “We thought you was a toad!” - Delmar, O Brother Where Art Thou?

++ 82. “Face it tiger, you just hit the jackpot!”

+ 83. “You don’t have to be a gun.”

++ 84. “Danger Will Robinson! Danger!”

+ 85. “Yeah, well. The Dude abides.”

86. “All things serve the beam.”

87. “You can’t fool me! There ain’t no Sanity Clause!”

88. “Like the fella says, in Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love - they had 500 years of democracy and peace, and what did that produce? The cuckoo clock.”

+ 89. “And I said, I don’t care if they lay me off either, because I told, I told Bill that if they move my desk one more time, then, then I’m, I’m quitting, I’m going to quit. And, and I told Don too, because they’ve moved my desk four times already this year, and I used to be over by the window, and I could see the squirrels, and they were married, but then, they switched from the Swingline to the Boston stapler, but I kept my Swingline stapler because it didn’t bind up as much, and I kept the staples for the Swingline stapler and it’s not okay because if they take my stapler then I’ll set the building on fire…"

90. “Michael, I did nothing. I did absolutely nothing, and it was everything that I thought it could be.”

91. “Now I have a machine gun. Ho ho ho.”

92. “Gimme some sugar, baby.”

93. “Well hello Mister Fancypants. Well, I’ve got news for you pal, you ain’t leadin’ but two things, right now: Jack and sh*t… and Jack left town.”

++ 94. “Kneel before Zod.”

95. “Shall we play a game?”

96. “Daddy would have gotten us Uzis.”

+ 97. “It’s 106 miles to Chicago, we’ve got a full tank of gas, half a pack of cigarettes, it’s dark and we’re wearing sunglasses.” “Hit it!”

++ 98. “Make it so” / “Engage”

99. “Ya Ta!”

100. “End Of Line”

I really need to see the movies referred to in #73 and #85. I've seen clips, so I could figure out the quotes.

So do I get booted from geekdom?
ROG

MOVIE REVIEW: It's Complicated

I am fascinated how much certain people loathed this movie, sight unseen. Back on Christmas Day, Ken Levine (cited recently in this blog for his sagacity re: Up in The Air) listed several well-known bad movies he'd see before he'd see It's Complicated, including HOWARD THE DUCK, CATWOMAN, and STAYING ALIVE. I've seen that same antipathy elsewhere. what is it about this Meryl Streep-Alec Baldwin rom-com that has engendered such vitriol without actually being viewed?

My wife for one was wary about seeing it because of the mixed reviews (57% positive on Rotten Tomatoes), but a couple weekends ago, we went to see it and enjoyed it. Now, I'm not saying it's high art or that it's not pretty lightweight; also, it was too long by about 15 minutes with one too many subplots. But our expectations were so dampened that it turned out to be more than a passable experience.

Streep and Baldwin had chemistry that made the fairly absurd scenario almost believable. The real surprise was John Krasinski as the fiance of one of the daughters of the Streep and Baldwin characters; he was not just another variation of Jim on the NBC sitcom The Office, which his characters in movies usually feel like. And the scene near the end with Baldwin, Streep and Steve Martin did make me laugh. Indeed, we chuckled throughout the movie,. though not constantly. There's also a poignant scene earlier with Streep that I could definitely relate to.

There were some problems. One, not the movie's fault but the trailer's, is that Streep's very best line in some dialogue with some friends appears in the trailer and so when actually delivered in the movie is not as funny as it might have been. Stoned adults are far less funny this century than last. The trophy wife of the Baldwin character (Lake Bell) seemed unnecessarily unsympathetic. And the three adult children of the Streep/Baldwin marriage were rather pathetic.

So, partly because I've had my own complicated relationships, I deem it one of your basic 2 1/2 out of 4 stars, B- movie. We both enjoyed it enough to recommend it, despite its flaws.
ROG

So Now The Oscar Season Begins

Being a movie fan, I try to see as many of the nominated films as possible before Oscar night, which this year is back in the month of March, where it belongs. March 7, to be precise, which happens to be my birthday.

I am shocked, really, that, in what I consider a paucity of movie viewing on my part, I managed to see six of the ten nominees for Best Picture, and at the cinema:

*SAW IT

“Avatar”
*“The Blind Side”
*“District 9″
*“An Education”
“The Hurt Locker”
“Inglourious Basterds”
“Precious: Based on the Novel ‘Push’ by Sapphire”
*“A Serious Man”
*“Up”
*“Up in the Air”
Of course, I haven't seen the behemoth that is Avatar yet, and I was accused of losing my geek cred this week. I didn't know I HAD geek cred; in any case, I'll probably see it in the next four weeks. Precious I actually had a chance to see, but passed, in favor of The Blind Side; I'll still try to see it. But the two war movies will be harder to come by.
I'm really curious how the instant runoff voting will affect this race. A lot of early backlash against Avatar.

Best Direction
“Avatar” — James Cameron
“The Hurt Locker” — Kathryn Bigelow
“Inglourious Basterds” — Quentin Tarantino
“Precious: Based on the Novel ‘Push’ by Sapphire” — Lee Daniels
*Up in the Air” — Jason Reitman
If there had only been five nominations for Best Picture, would these have been the five? We'll never know, but, based on the other nominations, I tend to think so.
Right now, I'm guessing The Hurt Locker for both Best Pic and Director. Bigelow vs. ex-husband Cameron? A Hollywood dream.

Actor in a Leading Role
Jeff Bridges in “Crazy Heart”
*George Clooney in “Up in the Air”
*Colin Firth in “A Single Man”
Morgan Freeman in “Invictus”
Jeremy Renner in “The Hurt Locker”
Crazy Heart just started playing here, so I can see that, but Invictus is gone. Will it be available on DVD this month? Doubtful.


Actress in a Leading Role
*Sandra Bullock in “The Blind Side”
Helen Mirren in “The Last Station”
*Carey Mulligan in “An Education”
Gabourey Sidibe in “Precious: Based on the Novel ‘Push’ by Sapphire”
*Meryl Streep in “Julie & Julia”
I had to ask about The Last Station, which I totally missed hearing about. Turns out, it won't make it to Albany's Spectrum Theatre until February 26. Still have a chance.

Actor in a Supporting Role
Matt Damon in “Invictus”
Woody Harrelson in “The Messenger”
Christopher Plummer in “The Last Station”
Stanley Tucci in “The Lovely Bones”
Christoph Waltz in “Inglourious Basterds”
Just wasn't up for seeing The Lovely Bones. But The Messenger is playing currently.

Actress in a Supporting Role
Penélope Cruz in “Nine”
*Vera Farmiga in “Up in the Air”
Maggie Gyllenhaal in “Crazy Heart”
*Anna Kendrick in “Up in the Air”
Mo’Nique in “Precious: Based on the Novel ‘Push’ by Sapphire”
Nine is leaving Thursday; wanted to see for Cruz and Sophia Loren, but ain't gonna happen soon.

Writing (Adapted Screenplay)
*“District 9” — Written by Neill Blomkamp and Terri Tatchell
*“An Education” — Screenplay by Nick Hornby
“In the Loop” — Screenplay by Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche
“Precious: Based on the Novel ‘Push’ by Sapphire” — Screenplay by Geoffrey Fletcher
*“Up in the Air” — Screenplay by Jason Reitman and Sheldon Turner
Totally forgot about In The Loop. Did that play here?

Writing (Original Screenplay)
“The Hurt Locker” — Written by Mark Boal
“Inglourious Basterds” — Written by Quentin Tarantino
“The Messenger” — Written by Alessandro Camon & Oren Moverman
*“A Serious Man” — Written by Joel Coen & Ethan Coen
*“Up” — Screenplay by Bob Peterson, Pete Docter, Story by Pete Docter, Bob Peterson, Tom McCarthy
Love the fact that the animated story got a nod.

Animated Feature Film
“Coraline”
“Fantastic Mr. Fox”
*“The Princess and the Frog”
“The Secret of Kells”
*“Up”
Logic would suggest Up should win here and lose in the Best Picture. But it could theoretically get shut out of both.

Art Direction
“Avatar” — Art Direction: Rick Carter and Robert Stromberg; Set Decoration: Kim Sinclair
“The Imaginarium of Doctor Parnassus” — Art Direction: Dave Warren and Anastasia Masaro; Set Decoration: Caroline Smith
“Nine” — Art Direction: John Myhre; Set Decoration: Gordon Sim
“Sherlock Holmes” — Art Direction: Sarah Greenwood; Set Decoration: Katie Spencer
“The Young Victoria” — Art Direction: Patrice Vermette; Set Decoration: Maggie Gray
I'm less concerned about seeing the movies for the techie awards; a good thing, too.

Cinematography
“Avatar” — Mauro Fiore
“Harry Potter and the Half-Blood Prince” — Bruno Delbonnel
“The Hurt Locker” — Barry Ackroyd
“Inglourious Basterds” — Robert Richardson
“The White Ribbon” — Christian Berger

Costume Design
“Bright Star” — Janet Patterson
“Coco before Chanel” — Catherine Leterrier
“The Imaginarium of Doctor Parnassus” — Monique Prudhomme
“Nine” — Colleen Atwood
“The Young Victoria” — Sandy Powell

Documentary (Feature)
“Burma VJ”
“The Cove”
“Food, Inc.”
“The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers”
“Which Way Home”
Will the popular Food, Inc. win, or will the Academy work hard to avoid the popular, as they've done in the past? My wife DID see Food, Inc. and recommends it.

Documentary (Short Subject)
“China’s Unnatural Disaster: The Tears of Sichuan Province”
“The Last Campaign of Governor Booth Gardner”
“The Last Truck: Closing of a GM Plant”
“Music by Prudence”
“Rabbit à la Berlin”

Film Editing
“Avatar” — Stephen Rivkin, John Refoua and James Cameron
*“District 9” — Julian Clarke
“The Hurt Locker” — Bob Murawski and Chris Innis
“Inglourious Basterds” — Sally Menke
“Precious: Based on the Novel ‘Push’ by Sapphire” — Joe Klotz

Foreign Language Film
“Ajami” — Israel
“El Secreto de Sus Ojos” — Argentina
“The Milk of Sorrow” — Peru
“Un Prophète” — France
“The White Ribbon” — Germany
The White Ribbon comes to Albany February 19.

Makeup
“Il Divo” — Aldo Signoretti and Vittorio Sodano
“Star Trek” — Barney Burman, Mindy Hall and Joel Harlow
“The Young Victoria” — Jon Henry Gordon and Jenny Shircore

Music (Original Score)
“Avatar” — James Horner
“Fantastic Mr. Fox” — Alexandre Desplat
“The Hurt Locker” — Marco Beltrami and Buck Sanders
“Sherlock Holmes” — Hans Zimmer
*“Up” — Michael Giacchino

Music (Original Song)
*“Almost There” from “The Princess and the Frog” Music and Lyric by Randy Newman
*“Down in New Orleans” from “The Princess and the Frog” Music and Lyric by Randy Newman
“Loin de Paname” from “Paris 36” Music by Reinhardt Wagner Lyric by Frank Thomas
“Take It All” from “Nine” Music and Lyric by Maury Yeston
“The Weary Kind (Theme from Crazy Heart)” from “Crazy Heart” Music and Lyric by Ryan Bingham and T Bone Burnett
Of the two, I'd pick Almost There; more anthemic.

Short Film (Animated)
“French Roast” Fabrice O. Joubert
“Granny O’Grimm’s Sleeping Beauty” Nicky Phelan and Darragh O’Connell
“The Lady and the Reaper (La Dama y la Muerte)” Javier Recio Gracia
“Logorama” Nicolas Schmerkin
“A Matter of Loaf and Death” Nick Park

Short Film (Live Action)
“The Door” — Juanita Wilson and James Flynn
“Instead of Abracadabra” — Patrik Eklund and Mathias Fjellström
“Kavi” — Gregg Helvey
“Miracle Fish” — Luke Doolan and Drew Bailey
“The New Tenants” — Joachim Back and Tivi Magnusson

Sound Editing
“Avatar” — Christopher Boyes and Gwendolyn Yates Whittle
“The Hurt Locker” — Paul N.J. Ottosson
“Inglourious Basterds” — Wylie Stateman
“Star Trek” — Mark Stoeckinger and Alan Rankin
*“Up” — Michael Silvers and Tom Myers

Sound Mixing
“Avatar” — Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson
“The Hurt Locker” — Paul N.J. Ottosson and Ray Beckett
“Inglourious Basterds” — Michael Minkler, Tony Lamberti and Mark Ulano
“Star Trek” — Anna Behlmer, Andy Nelson and Peter J. Devlin
“Transformers: Revenge of the Fallen” — Greg P. Russell, Gary Summers and Geoffrey Patterson
Thank goodness Transformers was nominated for SOMETHING, he smirked.

Visual Effects
“Avatar” — Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
*“District 9” — Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken
“Star Trek” — Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton

So, the realistic goal is to see Avatar, Crazy Heart, and when it comes out, The Last Station by March 7. Maybe The Messenger, Precious (if it's around) and anything I can find out on DVD.

ROG

January Rambling

Busy month coming. Black History Month at church, and I'm doing two adult ed sessions. One will be helping to hone my presentation at the Underground Railroad Conference in Troy, NY at the end of the month.
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The one weekend I won't be doing BHM stuff, I'll probably be here.
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Finally gave blood on January 18. I was scheduled to donate two or three times before that, but just didn't feel up to it. The four months between donations is the longest I've gone since I had to pass for a year when I got rabies shots. The weird thing is that twice in a row, I got reminder cards about my donation six to eight days AFTER I was scheduled to donate; unhelpful AND a waste of money.
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I was in the home office. There was this thin book that was falling off the shelf. Turned out to be The Connoisseur’s Guide to the Contemporary Horror Film by the late Chas Balun, an item I hadn't thought about in years. When I was working at this comic book store called FantaCo, we sold many, many copies of the item. I went over to Steve Bissette's site to let him know about this, and wouldn't you know, but that he had just written about Chas and that very booklet! How odd.
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ABC-TV is plugging this new show called The Deep End, about some young lawyers. The voiceover says, "From the network that brought you Grey's Anatomy", as though network affiliation is a reason to watch the show. Yet it DOES remind me of Grey's in that there's a guy under water; Meredith Grey practically drown a couple seasons ago. I shan't be watching; hey I got 85% of my DVR capacity used up.

This reminds me of a poster SamuraiFrog wrote about, the text of which was "from the studio that brought you THE PROPOSAL." as though anyone would go to a film for that reason. Goofy.
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This incredible machine was "built as a collaborative effort between the Robert M. Trammell Music Conservatory and the Sharon Wick School of Engineering at the University of Iowa. Amazingly, 97% of the machines components came from John Deere Industries and Irrigation Equipment of Bancroft, Iowa.
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A resource guide re Haiti.
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Anyone know the shelf life for amoxicillin capsules? Wayne John wanted to know.
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Another SF-found piece, on gay marriage, a satire.
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Thom Wade reminds me why I'm not a Mormon
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The Brand Identity Guru says The Bachelor and Bachelorette Brands Can’t Be More Racist. I don't watch, but I'd be interested in the thoughts of those who do.
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Was Jack Benny in the movie Casablanca? Mark Evanier doesn't think so, but he's not sure.
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What Could Have Been Entering the Public Domain on January 1, 2010 under the law that existed until 1978 . . . Works from 1953.
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Hard to find music and movies.
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Salon finally figured out the joy of the Kennedy Center Honors. See also Kennedy Center Honorees at the White House.
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Scholar Ladies a video response to Single Ladies by Beyonce.
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Finally, the wife is trying to keep the daughter away from aspartame, the stuff in Equal and the other little blue packets, at least in the US, at least it is most of the time. And the stuff shows up in the darnedest places, such as packaged fruit cups one sends the daughter to school with.
But I've discovered that the DelMonte fruit cups, e.g., uses sucralose, the substance in Splenda and the other items in the yellow packet. Anyone aware of health issues for children with sucralose?

ROG

MOVIE REVIEW: Up In The Air

Ken Levine, Emmy winning writer/director/producer declared Up In The Air his pick for movie of the year. I saw few enough 2009 movies that I couldn't say. I will posit, though, that the movie is the best 2009 movie I've seen thus far.

What I don't know is what I can tell you that you don't already know without revealing spoilers. I'm particularly cognizant of that, because when I saw it back on January 9, right after the opening of the new Delaware Avenue branch of the Albany Public Library, I went home and told my wife what I thought was an obscure piece of information. But the next day, after she went to see the film, she declared that my tiny mention helped her figure something out that I regret that she sussed out.

Surely, you know that the film stars George Clooney as a guy emotionally at arms length, who hates his 43 days a year at home, being much happier being a VIP on planes, car rental places and hotels. His job is to come into towns, fire people because the management of the companies are wussses, and move on. Vera Farmiga is his detached near-equal. Writer/director Jason Reitman had previously made Thank You for Smoking and Juno, both of which I enjoyed, and he has adapted the screenplay from Walter Kirn's novel of the same name, which I did not read.

You may have read how real out-of-work people were filmed talking about their laid off experiences, not knowing initially that they were being recorded for a movie. It was quite an effective technique. However, J.K. Simmons, a character actor you'll likely recognize as J. Jonah Jameson from the Spider-Man movies, Chief Pope from The Closer, or Juno's dad, is also compelling.

I should mention that Vera Farmiga was featured in a story in the local paper because she lives in not-that-far-away Ulster County, NY.

A review wondered if a family event was necessary for the film, and decided in the end that it was. Whereas I thought that event was critical. (That was vague.)

Ultimately, I think two additional factors, other than the writing, directing and acting, really wowed me. One is that the current economic downturn made this movie just right for its time, much the way The China Syndrome, coming out just before Three Mile Island in 1979, made it very topical. The other thing, probably counter-intuitively, is that while George Clooney played a character named Ryan, he also was George Clooney, noted movie star. And some part of my brain wondered if Ryan would AND George will end up alone; somehow this made it even more interesting.
ROG

MOVIE REVIEW: Alvin and the Chipmunks, The Squeakquel

When i was about six years old, I remember that we owned the single The Chipmunk Song (Christmas Don't Be Late) by David Seville and the Chipmunks on Liberty Records; it had a greenish label. I loved that tune, and i could do a reasonable imitation of the holiday song.

Somewhere along the line, Alvin and his brothers became television stars in both the 1960s and 1980s. Still, I was mildly surprised that there was going to be a movie, starring Jason Lee, Earl of NBC's now canceled My Name Is Earl. The 2007 movie was a big hit, grossing over $200 million in domestic sales, despite reviews that were tepid at best. I didn't see it.

This meant, naturally, a sequel. When I took the daughter to the Princess and the Frog, Lydia laughed at the previews for Alvin and the Chipmunks: The Squeakquel. She had such a lousy time at the Disney movie on January 2 that we went to see Alvin 2 on January 9.

It was terrible. My daughter loved it.

Basically, the story finds a way to write out most of the David Seville character, stuck in a French hospital, putting the rodents (voiced by Justin Long as Alvin, Matthew Gray Gubler as Simon, and Jesse McCartney as Theodore) end up under the care of a slacker nephew (Zachary Levi of NBC's Chuck) who plays video games constantly. Meanwhile the Chipmunks are sent to high school. The principal (Wendie Malick of the former NBC show, Just Shoot Me!), who has a chipmunks tattoo, is counting on the group to win the big prize so help save the school's music program.

Meanwhile, the Chipmunks' former manager has discovered three female chipmunks, dubbed the Chipettes (voiced by Amy Poehler, Anna Faris and Christina Applegate), to compete against Alvin and his brothers. And they look remarkably like the Chipmunks.

There's more, but not worth retelling. When I say the film was bad, I don't mean the picture was out of focus. I mean that there was little care taken in creating a coherent, interesting story. Cynical cinema making. Yet, this movie is bound to hit $200 million in less than a month.

The appeal for my daughter, I suppose, was the music, retreads of popular songs such as Single Ladies. There were only four people in the theater when we went, and the other two had left, so the daughter got to literally dance in the aisles. I'm glad she enjoyed it, though a rodent imperiled briefly made her nervous.

Oh, and for you completists, I should note that there's a scene at the very end, after the credits; it is NOT worth waiting for.

How long will it be before the daughter regrets this post?

Oh, one more thing. Why is it Alvin and the Chipmunks? Is Alvin NOT a Chipmunk? Or is this like Diana Ross & the Supremes, somehow?


ROG

MOVIE REVIEW: The Blind Side

Seems that I either don't see films, or I do see films and don't seem to have time to actually review them.

Way back on New Years Day weekend, the wife and I got a babysitter and went to see The Blind Side, written and directed by John Lee Hancock, based on the Michael Lewis book I did not read. I HAD been getting a lot of information about this film quite a bit, though as much in Sports Illustrated as I did in Entertainment Weekly. Incidentally, The Blind Side refers to a quarterback getting hit while he's not looking and the import of an offensive tackle protecting the QB's vulnerability.

The movie tells the true story of Michael Oher (pronounced like 'oar', played by Quinton Aaron), a large, undereducated and mostly homeless black young man. He gets taken in by the Tuohy family, who are white, specifically by Leigh Anne Tuohy (Sandra Bullock), with her husband Sean, a successful restaurateur (played by an almost unrecognizable Tim McGraw) succumbing to his spouse's single-minded compassion. Their two kids, the boy S.J (Jae Head) and the girl Collins (Lily Collins, who looks amazingly like the young woman she portrayed) go along with the mom's mission, S.J. quite enthusiastically.

The family, and some insightful teachers, help Michael fulfill his potential, both in class and on the football field. Michael also helps the Tuohys to learn about themselves. Oher eventually becomes an All-American offensive left tackle at Ole Miss and a first round draft choice with the Baltimore Ravens.

I liked it. Indeed, both my wife and I enjoyed it more than some critics (70% positive on Rotten Tomatoes), who used terms like "utterly unsurprising, unchallenging feel-good flick mostly ignores larger social concerns in telling its implausible tale." Even some positive reviews suggest that it's a predictable "feel-good sports/biographical drama...by-the-numbers. Yet for the most part, this cinematic 'comfort food' goes down pretty well."

There was also criticism from more than one corner of the "institutional racism" in the film, that it is "rich white folks with big heart save poor black kid" that "needed to be more sociably responsible in its portrayal of blacks," and that "all black people are not ghetto waiting to be saved." I'm rather torn on this point. It's true that most of the black people in this movie were poor and from the ghetto- Michael's birth mother was a drug addict - and that the major black character, other than Michael, was a particularly obnoxious dude. All of this is true, yet I don't know how much responsibility a single film is supposed to balance the portrayal of black people. My sense is that, prior to Michael, the Tuohy's didn't KNOW black people, so the folks they DID see fit the stereotype. Was the writer suppose to inject an upwardly-mobile black person, other than the woman from the NCAA?

Interesting note: many of the recruiting coaches, such as Phillip Fulmer, Lou Holtz and Nick Saban, play themselves, and I read in SI that not one of them is still with that program, noting the rapid turnover of college football head coaches. The real S.J. Tuohy, who's now 16, has been razzed by opponents of his basketball team that his daddy needs to adopt someone for his team because "You suck!" And Michael Oher has been hazed by his Ravens' teammates over the sentimentality of the film; I was pleased that in his last game of this season, he was getting kudos from the commentators for his play.

In any case, this movie lives or dies largely on Sandra Bullock's portrayal of Leigh Anne Tuohy and she's totally convincing in the role. Ms. Tuohy also liked it, commenting that she was pleased that Ms. Bullock had "nice ta-tas."

ROG

MOVIE REVIEW: The Princess and the Frog

On New Years Day, the daughter and I walk over to the Madison Theatre in Albany to see the new Disney movie, The Princess and the Frog. The movie had engendered a lot of buzz long before it was released because it would be the first black "Disney princess".

I have to say that the marketing of the "princess" concept is as clever as it is annoying. It is a way to keep the old-line characters (Snow White, Sleeping Beauty and Cinderella) visible and up-to-date, and create a "lineage" that includes Beauty (of...and the Beast), Jasmine from Aladdin and the title characters from Pocohontas and Mulan. I should also note that the popcorn at the Madison is not only inferior to that at the Spectrum, but it costs more.

After at least six trailers, at least half of them sequels (or "squeakquel", in one case), the movie finally started. In was hoping that as a G-rated movie, she would enjoy it.

The lead role of Tiana, a hardworking waitress who grew up in a working-class family, and is trying to follow her dream of owning her own restaurant in 1920s New Orleans, is played by Anika Noni Rose, who I recall from Dreamgirls (2006). While her childhood pal Charlotte is hot to get to meet the debonair, but lazy Prince Naveen, Tiana is only interested in her dream, until...the kiss from a talking frog.

I liked the film visually. The sequence early on where Tiana dreams of her own place is particularly vivid, and the songs are strong. My favorite may be Almost There; indeed, the brief reprise made me almost cry. I also loved Evangeline, sung by Ray the bug.

The great conversation was whether Disney, who has been rightfully charged with occasional racial stereotyping, could pull off a story without falling into the same trap again. I think it was pretty successful in this regard. The race/culture of the Prince was intentionally vague, and that was a smart, if safe, course.

There were people who noted the voodoo roots of the sinister black character Dr. Facilier - but hey, this IS Louisiana - and I think it's countered by the mysterious Mama Odie. And I really believe there are those who are just loaded for bear trying to FIND a flaw. One suggested that the songs should have been done by black composers such as the Neville Brothers, rather than the award-winning, hard-working movie musician Randy Newman; such nonsense. Here's a promo by Ms. Rose, as well as a link to all the songs. I was particularly gratified by this positive review in Racialicious.

Bottom line, I enjoyed it, I'm afraid far more than the daughter, who was frightened some by Facilier and more by his "friends on the other side". She also was bothered by amphibians in peril, though she now denies it.

Unfortunate also is the film's "disappointing box office" of $86 million. With ticket sales up generally, why did this film, released November 25, 2009 do about half as well as Alvin 2, released on December 23? Was it marketing? was there resistance by the audience? I don't know, but5 I hope this movie finds its audience.
ROG

MOVIE REVIEW: Fly Me To the Moon

I told someone recently that we had never taken our daughter to a movie in an actual movie theater. This was inaccurate, a function in part, of the fact that I never blogged about it.

Actually, it was August 2009, right after the wife had (thankfully) returned from her intensive two-week college experience. the three of us went to Schenectady to one of the theaters in the Proctors complex, the GE Theatre. There we saw a 3-D movie from the summer of 2008 called Fly Me To The Moon. And yes, Sinatra, or a Sinatra soundalike, does sing that familiar theme.

The story was about three young bugs who wanted to go to the moon, hitching a ride with these guys named Armstrong, Aldrin and Collins, who looked, BTW, almost exactly alike, even without of their space helmets. Of course, the youngsters don't bother tell their mothers about their trip, who only discover their sons' mischief after they see them on television. The small travelers experience mild peril but (hardly a SPOILER in this type of film) make it back home safely.

The voicework is done by name stars such as Tim Curry, Robert Patrick, Nicollette Sheridan, and Ed Begley Jr., with Kelly Ripa and Adrienne Barbeau as a couple bug moms, and Christopher Lloyd as a bug grandpa.

The bad news is that it's a pretty dopey story with minimal animation techniques. It was painful to watch the real Buzz Aldrin at the end of the film explain to the audience that there were really no insects in space, let alone on the moon, in 1969. The good news is, given those limitations, the 3-D effect wasn't half bad, with bugs "flying towards us" at times. At least once the bugs were "flying from behind us" and toward the screen, and I instinctively shooed an insect away.

The mixed news was that it was short, maybe 50 minutes. At $8 a pop, it's a bit pricey, but then it was pretty tame fare for the child's first flick, so that was a plus.

Fly Me To the Moon must be a reasonably successful film at this venue, since it's showing again every weekend in January 2010. I can't recommend it, obviously, but it's less painful than, say, root canal. And I've HAD root canal.
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Oh, and when I misstated Lydia's movie experience, I was asked if we have surround sound at home. Well, no, we STILL have that 1987 19" GE color TV with no SAP or V-chip, which I turn on and off ---ready for this? manually --- and I am still NOT replacing it until it dies, I tell you, until it DIES.
ROG

Reeling in the Years

I know historians banter about the most significant years in a given period, as do others. I'd have to pick 1917 (Russian revolution), 1945 (end of WW II), 1968 (unrest in US, Mexico, Czechoslovakia), 1989 (fall of Berlin Wall), among others, for the 20th Century.

But did you ever rank the years in your life? 1977, when I lived in three cities in two states, was pretty awful, but 1978, when, not coincidentally, I moved to Schenectady, NY, was pretty good. I was up in the attic this week, sorting stuff, and I came across a 1998 calendar, 100 Years of American Comics from the International Cartoon Art.

My, that was a good year.

I went to the movies. A lot.
Jan 16-Jackie Brown
Jan 19-Good Will Hunting
Jan 25-Titanic
Jan 31-Fast, Cheap and Out of Control
Feb 1-Amistad
Feb 10-The Tango Lesson
Feb 14-Mrs Brown; L.A. Confidential
Feb 15-Afterglow; Ma vie en Rose
Feb 16-The Apostle
And that was just the first two months.

I took JEOPARDY! test #1 on April 29.

I went on a two-week vacation in May. I don't know that I've been on a two-week vacation since. I went to the Motown museum and a Tigers game in Detroit; and the Rock and Roll Hall of Fame in Cleveland on one train trip. I visited the Capitol and other landmarks and took JEOPARDY! test #2 in Washington, DC on a second train trip. I love the train.

Saw LOTS of music in the summer. Many are local band (Burners UK, Hair of the Dog), but I also saw Maddy Prior, Cyril Neville, the Glenn Miller group, the Fabulous Thunderbirds, and Rickie Lee Jones. Then on August 9, I went to SPAC for the Newport Folk Festival, featuring Lyle Lovett, Joan Baez, Nanci Griffith, Bela Fleck, Bruce Cockburn, Alison Krauss, Marc Cohn, Lucinda Williams, and others; a great day.

I had two conferences in September. At the ASBDC conference in Savannah, GA, my father drove down from Charlotte, NC and hung out with me and a couple of my friends the first two days. THE best time I ever had with my father. Then the SBDC conference was in Niagara Falls; I love the falls. And I walked to NF, Ontario.

The JEOPARDY! broadcast party was November 9. Later that month, my attempts to re-woo Carol, which began in earnest in August, proved successful, and we got married the following May.

Music, movies, travel, love. Even a modicum of fame. That was a great year.

May your 2010, and mine, be as fruitful.


ROG

Kennedy Center Honors

As I've mentioned in the past, I am a sucker for the Kennedy Center Honors. This is the 32nd year, and I've been following them since practically the beginning. The difference is that in the early days, the performers were sometimes names I knew, though often not, and even the people I recognized, I had not really sampled their works.

This year, as last four out of the five awardees are rather familiar to me.

Writer, composer, actor, director, and producer Mel Brooks

I have always HEARD of Mel Brooks, from the early days of television, from Sid Caesar's Your Show of Shows, which started before I was born, to creating the series Get Smart in the mid-1960s and the Robin Hood spoof When Things Were Rotten in the mid-1970s.

But it is his writing/producing/directing movies for which I know him.
The Producers (1968) -long before the musical, or the movie of the musical, there was the movie about making money by seemingly losing money. One of the funniest things I ever saw is when the audience is slackjawed after hearing "Springtime for Hitler", which Brooks not only wrote but sang. There was a 2001 interview on 60 Minutes, which I saw at the time, where he describes his feelings about Hitler:
Hitler was part of this incredible idea that you could put Jews in concentration camps and kill them. And how do you get even? How do you get even with the man? How do you get even with him? There's only one way to get even. You have to bring him down with ridicule. Because if you stand on a soapbox and you match him with rhetoric, you're just as bad as he is. But if you can make people laugh at him, then you're one up on him. And it's been one of my lifelong jobs has been to make the
world laugh at Adolf Hitler.
That he succeeded is a great understatement.
Blazing Saddles (1974): it's pretty funny, though it has no suitable ending.
Young Frankenstein (1974): one of the funniest films ever made. I literally fell out of my seat when I saw this in the movie theater; good thing I had an aisle seat.
Silent Movie (1976); High Anxiety (1977) - both funnier in concept than in execution
History of the World: Part I (1981) - few movies I've enjoyed less than this. The chief redeeming quality, and it comes near the end: Hitler on ice skates.
Other items of his I saw: My Favorite Year (1982), which he executive produced, and the TV show Mad About You in the late 1990s, where he played Uncle Phil.
Sommeday, I'll see The Producers on stage.

Pianist and composer Dave Brubeck.

The only CD I own is Time Out (1960), but I have some Brubeck on vinyl. I know I have Time Further Out (1961), which has music in just about every time signature imaginable. I have My Favorite Things (1966). I've given out his greatest hits album to people who don't know him, saying, "You need to know this guy."
He turned 89 this month and is STILL playing on tour. I was playing Time Out earlier this month and someone visiting my house said, "What's the name of that song?" It was Take Five. Coincidentally, my buddy Steve Bissette linked to it this month.

Opera singer Grace Bumbry

OK, here's the hole in my wisdom. I'd heard the name, but I just don't know opera.

Actor, director, and producer Robert De Niro

I need to go back and see some of his performances from the 1970s; actually a whole bunch of his films, now that I look at the list. But these I definitely did see:
Raging Bull (1980)
The King of Comedy (1982)
Goodfellas (1990)
Stanley & Iris (1990)
Awakenings (1990)
Cape Fear (1991)
Wag the Dog (1997)
Jackie Brown (1997)
Analyze This (1999)
Meet the Parents (2000)
But it's his work with the Tribeca Film Festival which may be his lasting legacy.
The Tribeca Film Festival was founded in 2002 by Jane Rosenthal, Robert De Niro and Craig Hatkoff in a response to the September 11, 2001 attacks on the World Trade Center and the consequent loss of vitality in the TriBeCa neighborhood in Manhattan.

The mission of the film festival is "to enable the international film community and the general public to experience the power of film by redefining the film festival experience." The Tribeca Film Festival was founded to celebrate New York City as a major filmmaking center and to contribute to the long-term recovery of lower Manhattan.

Singer and songwriter Bruce Springsteen.

I had this office mate around whom one was not allowed to play Bruce Springsteen music; apparently, it had to do with a broken relationship. Conversely, I had an old girlfriend who was pretty much obsessed with "the Boss." Which reminds me of that joke on Saturday Night Live a couple weeks ago, about Obama being the President, but
Springsteen being the Boss; so Springsteen ordered all the troops home from Afghanistan.

I noted here my Springsteen discography. Add the 2009 Working On A Dream CD to that and the er, unauthorized recordings someone sent me.

Plus he shows up as songwriter/producer for many other artists' music I own such as Gary "U.S." Bonds and Southside Johnny & the Asbury Dukes, not to mention his rendition of Merry Christmas Baby on the very first A Very Special Christmas.

Oh, and I got to see him this year, for the very first time.

The Kennedy Center Honors medallions [were] presented on Saturday, December 5, the night before the gala, at a State Department dinner hosted by Secretary of State, Hillary Clinton...The Honors Gala will be recorded for broadcast on the CBS Network for the 32nd consecutive year as a two-hour primetime special on Tuesday, December 29 at 9:00 p.m. (ET/PT).

ROG

December Rambling

I've become fascinated with the fascination over Joe Lieberman re: the health care debate. This example from a New York Times colummnist is a perfectly good example: Let us contemplate the badness of Joe Lieberman.

Who would have thought that this holiday season we’d be obsessed with the senator from Connecticut?

I guess it's the fact that people seem surprised by his intransigence, that it is he, rather than 40 Republicans in the Senate holding bill hostage. I am reminded that he is a DINO (Democrat In Name Only). He got all "mavericky" by supported his "good friend" John McCain over the Democratic nominee last year. In 2006, Connecticut Democrats realized that he was no Democrat and booted him from the ticket when he was running for re-election. He ran and won as a Liebermanist.

Oh, and re: those from the GOP: Republicans, religion and the triumph of unreason: How do they train themselves to be so impervious to reality? This came out in August, but is no less true today for that.

But as Paul Krugman said: A message to progressives: By all means, hang Senator Joe Lieberman in effigy. Declare that you’re disappointed in and/or disgusted with President Obama. Demand a change in Senate rules that, combined with the Republican strategy of total obstructionism, are in the process of making America ungovernable. Butut in his defense of the bill on the table, he says:

Bear in mind also the lessons of history: social insurance programs tend to start out highly imperfect and incomplete, but get better and more comprehensive as the years go by. Thus Social Security originally had huge gaps in coverage — and a majority of African-Americans, in particular, fell through those gaps. But it was improved over time, and it’s now the bedrock of retirement stability for the vast majority of Americans.

Look, I understand the anger here: supporting this weakened bill feels like giving in to blackmail — because it is. Or to use an even more accurate metaphor suggested by Ezra Klein of The Washington Post, we’re paying a ransom to hostage-takers. Some of us, including a majority of senators, really, really want to cover the uninsured; but to make that happen we need the votes of a handful of senators who see failure of reform as an acceptable outcome, and demand a steep price for their support.

At the same time, I was surprised by the attack by Mike Madden on Keith Olbermann's announced intent of civil disobedience: Wrong, Keith: Olbermann's prescription for protesting the insurance mandate -- don't buy insurance -- is nuts. I think these fights are almost always taken on at multiple levels. So if a bill is passed, and a number of people REFUSE on conscience, to abide by said law, sometimes - sometimes - the laws get changed.
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And speaking of laws DC Council Passes Gay Marriage Bill; On to Mayor for Signature. Interesting that Congress - yes, the U.S. Congress - gets final say in this matter. I keep forgetting that the District of Columbia is a protectorate of the United States. But, from the tone of this and other stories I've read, it appears that the Democrats in Congress have enough political muscle to pass this; I'll wait until the actual vote, thank you.
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The 10 Best Web Sites of the Decade
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For those who follow movies, Box Office Mojo has production cost, foreign & domestic box office, and DVD sales in the initial period.
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The resurrection of Josie and the Pussycats?
ROG

The Rod Serling Holiday

Near twin Gordon has decreed, and I have capitulated, to try to make both Bogie Day and Serling Day the holidays of choice in the blogosphere. Why? "Because both men were born on December 25th, and both encapsulate the ultimate in pop culture coolness."

But I just don't have enough to say about Humphrey Bogart, though I did see The African Queen, The Treasure of the Sierra Madre, and one of my favorite films in the whole world, Casablanca. One of the times I saw Casablanca was in Rochester, NY outdoors in a park with my old neighbor from New Paltz, Debi. How I came to even be in Rochester involves lost brain cells. Oh, yeah, and I have a recording where expounds on the value of baseball.

As for Rod Serling, what more can I say that I didn't already say here or here, where I discuss meeting him or any number of other posts about episodes and whatnot.

It occurred to me, though, that I may never have mentioned the fact that I attended the world premiere(!) of Twilight Zone: The Movie, 13 days before it officially opened. The event took place, naturally, in Binghamton, NY, my hometown, on June 11, 1983 at the Crest Theater on Main Street, which had a seating capacity of approximately 800. I saw lots of movies at the Crest growing up. Hmm, I wonder if Serling saw any movies there growing up? It was a walkable, certainly a bikeable distance from his house on Bennett Avenue.

Some of the details have faded to memory, such as how I got tickets. I DO recall that it was very hot outside, waiting there for the dignitaries to come in. Of course, Rod was not one of them, having died eight years earlier from smoking cigarettes.

And I DO recall that this was a Very Big Deal for this small city where Rod Serling's family moved to from Syracuse before he turned two. One of the dignitaries was Helen Foley, Serling's beloved high school English teacher. Another was Richard Deacon (pictured below with Betty White, circa 1983) who was on Leave It To Beaver, but was best known as the put-upon producer Mel Cooley on The Dick van Dyke Show. Deacon, who died in 1984, was born in Philadelphia in 1921 but also grew up in Binghamton.

As for the movie itself, well, I'd have to see it again. I did think the first segment, a vague remake of A Quality of Mercy (Season 3, episode 80), was almost unrecognizable from the original. The filming of that segment led to the accidental deaths of actor Vic Morrow and two child actors. Whereas the remake of Nightmare at 20,000 Feet (Season 5, episode 123) felt pretty much like the William Shatner version, at least in my memory.

The movie segment It's a Good Life, featured a character named Helen Foley (played by Kathleen Quinlan), which got a big laugh from the audience; oddly, "Helen Foley" was not the name of a character in the original episode, but rather in the Nightmare as a Child television version.

*An episode guide of the television series can be found here.*


Pictures of Rod Serling c. 1955; all photos from LIFE.com.
ROG