"In the 1960's, there were two groups on Capitol Records - one American, the other British - whose name began with the letters 'B-E-A-.' Each of these groups featured a bass playing songwriter born in June of 1942, and each group made records that have withstood the test of time to become classics of popular culture."
I started delivering the Press, the Binghamton evening and Sunday morning newspaper, back in the days when there were actually evening newspapers, in 1964 or early 1965. (The M-Sa morning paper was the Sun-Bulletin; the two papers subsequently merged into a seven-morning Press & Sun-Bulletin.)
So, I had money of my own. Naturally, because I wanted to get all of the Beatles albums (I had some singles), I joined the Capitol Record club in 1965. My first album was Beatles VI, and I worked backward and forward from there, including this weird mostly talk album called The Beatles Story. I got Something New relatively early in the process. I distinctly remember getting Meet the Beatles in STEREO, which was a problem, because I only had a MONO player! There were directives about not playing a stereo record with a mono needle, lest you wreck the album. I didn't play Meet the Beatles for weeks, then I did, and it SEEMED OK...
I also got Daydream by the Lovin' Spoonful, Herman's Hermits' Greatest Hits, the Hollyridge Strings performing Beatles tunes, some instrumentalist named Billy Strange, and, of course, BIG HITS FROM ENGLAND AND USA. One side had two songs each from BEATLES (England), BEACH BOYS (USA), and PETER & GORDON (England), the "kids" side; the Peter & Gordon cuts, not so incidentally, were by Lennon & McCartney. The other side contained 2 tunes by NAT KING COLE(USA) and CILLA BLACK (England), plus "Tears and Roses" by AL MARTINO (USA), the "adults" side. I probably still have it upstairs in the attic.
Thus, my very first album I owned that featured the Beach Boys was on an album that also featured the Beatles. "I Get Around" was a great song that I had heard on the radio. But it was the other song, "Don't Worry Baby", a lovely ballad with exquisite harmonies that I don't think I had been familiar with, which really intrigued me. I'd heard many of the beach/girls/cars songs on the radio, but this was something special.
So when it became available, I bought the Beach Boys' Pet Sounds. As Paul McCartney noted, "Pet Sounds was my inspiration for making Sgt. Pepper's...the big influence. That was the big thing for me (in 1966). I just thought, 'Oh, dear me. This is the album of all-time. What are we going to do?'" Eventually, Paul gave a copy of Pet Sounds to all of his children. At the end of 1966, a year-end poll in one of England's music papers found The Beach Boys topping The Beatles as the #1 vocal group in the world.
And, of course, the Beatles' Rubber Soul, one of my next record club purchases, inspired the Beach Boys' would-be legendary SMiLE, the album with a 37-year gestation period, finally released last year by the primary songwriter.
So, here's to Paul McCartney, whose 63rd birthday was two days ago, and Brian Wilson, whose 63rd natal day celebration is today. Twins separated only by 48 hours and 6000 miles.
And speaking of vintage music, the 25th Annual Old Songs Festival is this weekend at the Altamont Fairgrounds near Albany. There was a stretch when I used to go every year, but that pattern has been altered. We PLAN to attend this year, and I hope to meet up with a friend (SKA) I haven’t seen in about three years.
Of course, yesterday, for Father’s Day, we PLANNED to go out miniature golfing, but then Lydia fell asleep on her mother’s lap for two hours, then she was hungry, then she needed changing, etc., etc. Was it Bobby Burns who said something about plans and rodents and people?
Sandy Hook + 5 years = idiotic NRA-backed bill
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