Reasons To Be Cheerful, Part 2

Here's the second part of that rambling roster of songs that I end up playing more than once at a time. This list is hardly exhaustive, as I probably played some singles to death in my youth. Or later (Ian Dury and the Blockheads' Hit Me With Your Rhythm Stick comes to mind in the "later" category.) Also, I should note that there are some albums I almost never parsed, because they are of a piece: What's Going On by Marvin Gaye immediately comes to mind. Also, I've been picking one per artist, though this doesn't prevent me from picking a group and a solo artist from that group.

Drinkin' Wine Spodee-O-Dee-Stick McGhee. Atlantic Rhythm and Blues: 1947-1974 was a seven double-LP set. This song is from 1949. (Incidentally, the box set is now eight CDs.)

White Lines (Don't Do It)-Melle Mel and Grandmaster Flash. I still have that 12" from 1983. Love the vocal, love the horns.

Words-the Monkees. When I got a greatest hits album from someone, I had forgotten about this tune with an insistent rhythm.

Cars-Gary Numan. One of the last 45s I ever bought. It's that wowowowowowo synth before the drum.

For the Love of Money-the O'Jays. Long before Donald Trump co-opted it, I loved this tune. On greatest hits CD.

Love in Them There Hills-the Pointer Sisters. The last song on the eclectic That's A-Plenty LP, it's Philly soul. Used to listen to it in the dark.

Do What You Want To-Billy Preston. Starts off a bit slowly but builds up speed. From the That's the Way God Planned It LP, produced by George Harrison, first song on the album. This does exist digitally, but, unfortunately, not in my collection.

Let's Go Crazy-Prince. Sometimes, it's the first song on the Purple Rain LP, other times it's the seven-minute EP, but from the preaching in the beginning to the guitar solo near the end, one of my favorite songs ever.

A Salty Dog-Procol Harum. The vocal, the sparse instrumentation in the beginning, the drums. From a greatest hits LP.

Crazy Little Thing Called Love-Queen. Rockabilly Queen? From the greatest hits LP.

It's the End of the World As We Know It-R.E.M. And I feel fine. From the Document CD.

Kicks-Paul Revere & the Raiders. The first anti-drug song. From a greatest hits LP.

I Am Waiting-the Rolling Stones. From the Aftermath LP, near the end. Beautiful chorus, rocking bridge. I like how they change up the vocal near the end.

Anyone Who Had A Heart-Linda Ronstadt. Written by Bacharach and David, and originally done by Dionne Warwick, I think it's just quite beautiful. From the Winter Light CD.

Jerks on the Loose-the Roches. The last song on the Robert Fripp-produced Keep On Doing LP, it contains a message I repeat when a car tries to beat an ambulance through an intersection, or I witness some other foolishness: "Be on your guard; jerks on the loose."

At the Zoo-Simon & Garfunkel. The last song on Bookends, another song that I know all the lyrics to. I have a friend in Austin, TX named Carol, who I've know most of my life, as we met in kindergarten. I specifically recall that in high school, she HATED this song. Also, Strawberry Fields Forever. (The things the mind recalls.)

Boy In the Bubble-Paul Simon. The first song on the Graceland album. There is also a six-minute version of this that starts with nothing but percussion that I've heard, but have never seen in digitized form that I covet.

Rubberband Man-Spinners. OK, a silly song, and even sillier at seven minutes, which I have on some LP, but I like it anyway.

I've Got a Line On You-Spirit. Rockin', doubled guitar, first song on some LP.

East St. Louis Toodle-O-Steely Dan. From some LP, it's Duke Ellington. As some comics guy put it, 'nuff said.

The Ostrich-Steppenwolf. Talked about this here.

Hot Fun In the Summertime-Sly & the Family Stone. With all the uptempo songs Sly did, it's this stroll that I kept coming back to. From the Greatest Hits LP.

The Logical Song-Supertramp-Starts with a good bottom, then has great lyrics: "radical, liberal, fanatical, criminal". The sax puts it over the top. Second song on the LP. The song that actually inspired the posts.

Love Is Like An Itchin' in My Heart-the Supremes. Like many Motown tunes, lives on the bottom. A greatest hits CD I own has an extra 20 glorious seconds.

Take Me To the River-Talking Heads. I can't sing like my cousin, Al Green. But if I ever did karaoke, and I never plan to, it would likely be this version I'd try to emulate.

Shower the People-James Taylor. It was the bass vocal harmonization in the latter stages of the song I liked to sing along with. First on some Warner Brothers Loss Leaders LP.

I Can't Get Next to You-the Temptations. Producer Barrett Strong swiped this multi-lead vocal model from Sly Stone (so did Prince, on 1999, e.g.), and it's never better than on this.

It's For You-Three Dog Night. This cover of a song Lennon & McCartney gave away (to Cilla Black, I think). It starts a cappella, then has an instrumental bridge, then back to vocals only. When the instruments return, one can tell that the vocals are ever so slightly flat. I kept playing it, hoping somehow that I could will the pitch up. From their first, and best, LP.

Wilbury Twist-Traveling Wilburys. I've almost hurt myself following the detailed instructions. The shared vocals give it a particularly goofy flavor.

When Love Comes To Town-U2. I've hit the replay button so often, I can tell it's the 12th track on Rattle and Hum AND on the best of album, 1980-1990. Start with that insistent drum start, B.B. King's guitar playing. And while Bono's vocals are fine, it's B.B.'s that nail this song for me.

As-Stevie Wonder. The penultimate tune on Songs In the Key of Life, I was particularly taken by the totally different vocal on the "preach" section: "We all know sometimes life's hates and troubles..."

When You Dance, I Can Really Love-Neil Young. Unofficially, a theme song for a college romance. From the After the Gold Rush LP, second side somewhere.

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